THE STORY
Set against the backdrop of the Bosnian War that tore the Balkan region apart in the 1990s, In the Land of Blood and Honey tells the story of Danijel (Goran Kostić) and Ajla (Zana Marjanović), two Bosnians from different sides of a brutal ethnic conflict. Danijel, a Bosnian Serb police officer, and Ajla, a Bosnian Muslim artist, are together before the war, but their relationship is changed as violence engulfs the country. Months later, Danijel is serving under his father, General Nebojsa Vukojevich (Rade Šerbedžija), as an officer in the Bosnian Serb Army. He and Ajla come face to face again when she is taken from the apartment she shares with her sister, Lejla (Vanesa Glodjo), and Lejla's infant child by troops under Danijel's command. As the conflict takes hold of their lives, their relationship changes, their motives and connection to one another become ambiguous and their allegiances grow uncertain. In the Land of Blood and Honey portrays the incredible emotional, moral and physical toll that the war takes on individuals as well as the consequences that stem from the lack of political will to intervene in a society stricken with conflict.
TICKETS
CRITICAL ACCLAIM
"Brilliant! A powerful, important, humane and uncompromising film. An astonishing writing and directorial debut from Angelina Jolie. If you didn't know who made this movie you might swear it was the work of a great European auteur. The cast is simply extraordinary. 'In the Land of Blood and Honey' is a gripping motion picture experience you won't soon, and should not ever, forget."
− Pete Hammond
Backstage Magazine
★★★★…"A SKILLFUL POLITICAL DRAMA"
− Joshua Rothkopf
Time Out New York
"A very powerful film and a brilliant piece of filmmaking"
− Jamie Philbrick
I Am Rogue
★★★★…"A gripping debut"
− Joe Neumaier
New York Daily News
"Provocative and compelling"
− Jeremy Parsons
Reelz
"THE STARKEST MOST RELENTLESS FILM ABOUT WAR SINCE KUBRICK'S 'FULL METAL JACKET'"
− David Ehrenstein
Quarterly Review of Film & Video
"EXTRAORDINARY! A TOTAL TRIUMPH!"
− Danny Miller
MSN Movies
"A taut military thriller"
− Ann Hornaday
The Washington Post
"So powerful that it deserves to be seen"
− Peter Suderman
The Washington Times
"MUST-SEE"
− Matthew Patches
Hollywood.com
"Jolie has transformed herself into a serious, accomplished filmmaker."
− Caryn James
Indiewire
"The most provocative and compelling movie of the year."
− Jeremy Parsons
Reelz
"Moving and involving."
− Roger Ebert
The Chicago Sun-Times
"Jolie is a startlingly effective director"
− John Powers
Vogue
"Marjanovic gives a moving performance"
− Steven Rea
The Philadelphia Inquirer
"Jolie is a fearless filmmaker"
− Steve Prokopy
Ain't It Cool News
"Immaculately crafted"
− Dennis Harvey
San Francisco Bay Guardian
"A stunning performance by Zana Marjanovic"
− Robert Horton
Everett Daily Herald
CAST
ZANA MARJANOVIĆ as AJLA
ZANA MARJANOVIĆ was born in Sarajevo in 1983. She and her family lived in Slovenia during the course of the Bosnian War. Marjanović spent her adolescence studying theatre at the Laguardia School for the Performing Arts in New York City. Upon graduating, she returned to Sarajevo, where she currently resides, to begin her acting career. She is best known for appearing in the 2008 film Snow, as well as a recurring role in the Bosnian TV series Crazy, Confused, Normal.
GORAN KOSTIĆ as DANIJEL
GORAN KOSTIĆ was born and raised in Sarajevo to Bosnian Serb parents. Despite being from a family with a longstanding tradition of military service, he left the region and moved to London in 1991, where he stayed for the duration of the Bosnian War. Kostic has appeared in such films and television series as Band of Brothers, Grease Monkeys, Foyle's War, and MI-5. Kostić currently resides in France.
VANESA GLODJO as LEJLA
VANESA GLODJO was born and raised in Sarajevo. She lived through her late adolescence in the city for the entire duration of the Bosnian War and was wounded during that time. She graduated from the Sarajevo Academy of Performing Arts in 1997. Glodjo has worked steadily in both film and TV in Sarajevo, including a role in Jasmila Zbanić's 2006 film, Grbavica: The Land of my Dreams. She currently lives in Sarajevo.
RADE ŠERBEDŽIJA as NEBOJSA
RADE ŠERBEDŽIJA was born in the Croatian village of Bunic. He is of Croatian Serb ethnicity. Even before graduating from the Academy of Dramatic Arts at the University of Zagreb, the oldest university and among the largest in southeast Europe, he began to play lead roles in Yugoslav theatre and film productions. His work as an actor and singer throughout the 1970s and 1980s earned him his place among the most popular personalities of former Yugoslavia's stage and screen. He also taught acting at the Academy of Arts in Novi Sad, Serbia and at his alma mater, the Academy of Dramatic Arts in Zagreb. At the first signs of ethnic tension in the country, he took an energetic stand, acting and singing, against all nationalisms, incurring the wrath of extremists. His life threatened, he was forced to leave the country with his family in 1992. His first role abroad was the lead in the internationally award-winning film Before the Rain, which was also nominated for an Oscar®. Since his debut in Hollywood films, he has become recognized for his roles in Mission: Impossible II, The Saint, Eyes Wide Shut, Snatch, Harry Potter and the Deathly Hallows, X-Men: First Class, and the TV show 24. He is currently in production on the sequel to Taken. In addition, he has published four books of poetry and released four musical albums. In 2000, he co-founded the Ulysses Theatre in Croatia's Brijuni Islands, where he directs and acts in many of the productions. He currently lives in Croatia.
BORIS LER as TARIK
BORIS LER is originally from Sarajevo, where he lived with his family through the first two years of the Bosnian War. For the last two years of the war, he lived with his mother and brother as refugees in the small Croatian village of Podaca while his father and the rest of his family remained in Sarajevo. After the war, Ler returned to Sarajevo to train at the Academy of Performing Arts. Since 2007, he has worked extensively in theatre, film and television. In 2008, he was named the Best Young Actor at the Bosnia and Herzegovina Drama Festival for his performance in FlyHunter. He was most recently seen in Danis Tanović's film, Circus Columbia.
ALMA TERZIĆ as HANA
ALMA TERZIĆ was born and raised in the Bosnian city of Zenica, where she lived with her family during the war. She is a recent graduate of the Sarajevo Academy of Performing Arts. She has appeared in such films as Snow and Memory Full. She also currently stars on the popular sitcom, Crazy, Confused, Normal. Terzić is a member of the ensemble of the Sarajevo National Theatre. She lives in Sarajevo.
JELENA JOVANOVA as ESMA
JELENA JOVANOVA was born in Banja Luka, Bosnia and Herzegovina in 1984 to a Serbian mother and Macedonian father. Only a child when the Bosnian War started, she and her family traveled back and forth from Bosnia to Macedonia frequently. Jovanova graduated from the Faculty of Drama Arts in Skopje in 2007. She is a repertory player at the Macedonian National Theatre. In addition, she has appeared in 20 theatre plays, four feature films, one short film and four successful seasons as the hostess of a TV show about automobiles and lifestyle. Jovanova is currently dedicated to her master's studies in Culture and Globalization, as well as appearing in a new play, Family Stories, by Biljana Srbljanovic.
FEDJA STUKAN as PETAR
FEDJA STUKAN was born in 1974 in the Bosnian city of Sarajevo. He lived in Montenegro from 1990 until the beginning of the war in 1992, at which point he joined the special units of the Bosnian army. After two years of heavy combat he left the army, refusing to fight in what he personally considered a "religious war." He was able to escape the army by faking a mental disorder and fled to Germany, not returning to Sarajevo until after the war was over. Since then, he has studied dramatic arts and appeared in several films and TV programs.
NIKOLA DJURIĆKO as DARKO
NIKOLA DJURIĆKO was born and raised in Belgrade, Serbia. During the Bosnian War, he lived there with his family and pursued his studies. Equally active on film, television, and in theatre, Djurićko graduated from the Faculty of Dramatic Arts in Belgrade, under Milenko Maricic and Zaga Micunovic. Since the late 1990s, he has put together a string of notable film roles that have catapulted him to the status of one of the most popular and sought-after Serbian actors today. In 2004, he directed Borislav Pekic's drama, In Eden, In the East, for the Belgrade Drama Theatre. He has been a permanent member of the Yugoslav Drama Theatre since 1995.
ALEKSANDAR DJURICA as MARKO
ALEKSANDAR DJURICA was born in 1969 and raised in the city of Novi Sad, in the Serbian province of Vojvodina. He was 22 years old when the war started. Over the course of the war, he studied acting at the Academy of Arts in Novi Sad and participated in street demonstrations against the war and the regime of Slobodan Milosevic. In his 15-year career, Djurica has worked steadily in film, TV and theatre, in Vojvodina and Belgrade. He has received several awards for his work, and in 2008 he was nominated for best actor at the festival Grand Off, European Off Film Awards, for his work on the Milos Pusic film Lullaby for the Boy. He currently lives in Belgrade, where he is a member of National Theatre.
BRANKO DJURIĆ as ALEKSANDAR
BRANKO DJURIĆ was born in Sarajevo to a Serb father and a Muslim mother. He is both an accomplished actor and musician. Djurić starred in the 2001 Academy Award®-winning satire of the Bosnian War No Man's Land, which also won the Cannes Film Festival Special Jury Prize for Best Screenplay. He is also the frontman for the popular Sarajevo rock band Bombay Stampa. He completed his studies at the Actors Academy in Sarajevo but left the city during the Bosnian War. Since 1993, Djurić has lived in Ljubljana, Slovenia where he leads Theatre 55, a film production company.
GORAN JEVTIĆ as MITAR
GORAN JEVTIĆ was born in Mladenovac, Serbia, in 1978. During the war in Bosnia, he was a high school student acting in youth drama theatre in Belgrade. In 2001, he graduated from the Drama program at Belgrade University of Arts. Ever since, Jevtić has been engaged in Belgrade's most well-known theatres and also worked in multi-national productions in Austria, Denmark, and Italy. His performances have made him the recipient of some of the most prestigious awards in Serbia. Since 2001, he has appeared in nine films, as well as numerous TV and theatre productions.
JASNA ORNELA BERY as MEJREMA
JASNA ORNELA BERY was born in Zenica, Bosnia and Herzegovina, in 1954. She studied drama and philosophy in Sarajevo and after graduation became a permanent member of the Chamber Theatre 55 (Kamerni Teater 55). When the war first broke out in former Yugoslavia, she survived in Sarajevo, but then escaped the city with her son, who was only 15 years old at the time. Together they moved to Zagreb, Croatia, where they lived for several years until the war was over. Since then, Bery has worked in film, theatre, TV, and radio productions throughout the region, including Bosnia and Herzegovina, Croatia, Serbia, Montenegro, and Kosovo. She has received several awards and acknowledgements for her work, having appeared in Grbavica, the Land of My Dreams and On the Path, both directed by Jasmila Zbanic, Snow directed by Aida Begic, Circus Columbia directed by Oscar®-winner Danis Tanovic, and Inside, directed by Namik Kabil. She is currently performing in a new film by Aida Begic.
ERMIN BRAVO as MEHMET
ERMIN BRAVO was born and raised in the city of Sarajevo and lived there during the Bosnian War. He has appeared in numerous film and theatre productions, including Romeo and Juliet and Long Day's Journey into Night. He is currently a professor of acting at the Sarajevo Academy of Performing Arts.
DŽANA PINJO as NADJA
DŽANA PINJO was born in Sarajevo and lived in the city of Visoko during the Bosnian War. She graduated from the Sarajevo Academy of Performing Arts. She has appeared in numerous theatre, film and TV productions, including stagings of Shakespeare's Othello and Chekhov's The Cherry Orchard. Pinjo currently teaches at the Academy in the drama department.
ERMIN SIJAMIJA as VUC
ERMIN SIJAMIJA was born in 1974 in Travnik, Bosnia and Herzegovina, and raised in Sarajevo, where he completed elementary and secondary school. During the entire siege of Sarajevo, he remained there defending the city in which he grew up. In 1995, he enrolled at the Academy of Performing Arts in Sarajevo. He graduated in 2000, and since then, he has appeared in several films, TV programs, theatre productions, and commercials. He currently lives in Sarajevo, where he is a member of the drama ensemble and Artistic Director of Drama at the National Theatre.
MILOŠ TIMOTIJEVIĆ as DJURA
MILOŠ TIMOTIJEVIĆ was born in Belgrade, Serbia in March of 1975. During the time of the war in former Yugoslavia, he was a student at the Faculty of Dramatic Arts, majoring in Drama. Just a few weeks after the NATO bombing of Serbia, he received his graduate degree in Acting. Despite the dire circumstances in his country, Timotijević has worked on numerous TV shows, theatre productions, and films such as The Hornet in 1998 and Seven And A Half in 2006.
PERSONAL STORIES
Working with a local cast made up of Bosnians, Serbs and Croats brought to light so many personal accounts of how the war affected them and their families. Here are some of their heartfelt stories, as told in their own words.
PERSONAL STORIES
ZANA MARJANOVIĆ

Grandmother was serving the table. The dinner plate, then the soup plate on top of it. I was never too happy to see the soup plate, as that always meant there was soup on the menu and I'm going to have to eat it.. I disliked the green leaves swimming in it, and my grandmother cared little for it. The knives, the forks, the spoons... All were carefully put on the appropriate side of the plate by grandmother's husband. Grandmother and grandfather divorced a long time ago, and no one ever found out why. Late afternoon was a tired one. The sun didn't get to hide too early, behind the mountains surrounding Sarajevo, this time of the year. It was going to be my birthday soon. On May 31st, I was to turn 9. We heard a loud explosion. And the cutlery and the plates stared creating a noise of a full restaurant. The ground started shaking. Grandmother shook her head and continued pouring the soup into our plates. Mother grabbed her purse in one hand and my hand in the other, stood with the strong intention of moving - but didn't.

"Let's go."

Father entered the room singing, his hands still wet from washing and sat down at the table, as if hadn't heard anything. Grandmother's husband, though, decided to address the tension in the dining room, the bomb created.

"Alisa," he called Mother.

"I would advise you to put, like my mother did back in World War II, all the jewelry and money into socks. Because if they see you holding you purse so tightly, They're going to know you're carrying something valuable."

This was the wrong thing to say.

"Who? Who are they? What are you saying?" Mother cried.

Grandmother sat down at the table with my father.

"They will not make me run and hide in the basement like they did 50 years ago. Also, the soup is getting cold."

No one said a word. And we all slowly realized, eating the dinner in silence, the war had begun.

I was lucky enough to have managed to escape Sarajevo, thanks to my mother, but many others stayed. They stayed, imprisoned in the besieged city, for four years. Without electricity and heating, they had to run from snipers to get food and water.

I lived outside of my country for ten years, Ljubljana for a bit, and then New York City. A journey in search of my identity took me back to my hometown in 2001. And I decided to stay. My generation is scattered all over the world. It is the generation of the "uprooted" - those that stayed in Sarajevo during the war, are now thinking of leaving, troubled by political instability of the country, fearing it will never be the way it was...

GORAN KOSTIĆ

Winter was coming. Very soon all this will be covered by a thick layer of perfect particles of crystallized ice. Kids will be out in numbers and colors of their hats and scarves will bounce back from the snow. Chimneys will start churning away again and hot soups will be on the menu every day. Only people regretting the winter ahead would be the pensioners. Their frail bodies and fragile bones are not well equipped for improvised ice rings and sloppy streets of hilly parts of Sarajevo. They will curse in their most foul language everything under the Sun as we the kids will giggle seeing them slide helplessly down the frozen streets.

~

I have never seen so much of it before. I was only 12 at a time and my knowledge of anything was limited but to see so much coal in one place was strangely impressive. It was almost two stories high. Girls took no notice; it had to be a boy thing. That day we would not play our ritual after class football game behind our school. Instead of football pitch we got ourselves a ragged hill of locally produced black shit. So we took the next best thing and tried to claim this black, dirty monstrosity. It was hard and dangerous, as I found myself constantly loosing grip and sliding back. Larger pieces would simply hit you straight on - few boys ever made it to the top. Not sure who was the winner of that silly game but by the time the lunch break was over all my posies and I were as dirty as miners - white smiles shining through. We quickly washed ourselves before the class started again switching back to our angel faces.

That day after lunch break we had geography lesson on the second floor of our primary school. Classroom was overlooking the pitch what used to be our football grounds. The class started in time and soon all was forgotten about the world outside. I always loved geography. Our ancient teacher looked and sounded as if she has personally visited all the places she was talking about. As a child I often found myself daydreaming about visiting those places myself. These were times before PCs and Macs, mobiles and internet. There was no broadband or YouTube to click the world. Instead we had an obscure picture of a mountaintop telling us that this was K-2.

Class monotony was disturbed suddenly and loudly by a pupil known for creating disturbances. He started screaming and shouting how he had enough and how the time has come for him to end all this. It took few seconds for all of us to gather what was going on by which time our boy was already on the top of tables opening one of the widows. By now our teacher petrified of sudden escalation of events started shouting back very loudly. Calling him, ordering him to sit back at his place, but to no avail, she was too late. "Preko vode do slobode braco tifusari", he shouted as he jumped, recreating to us a well know moment in one of our IIWW classics (Let us cross the water my ill brothers to regain our freedom) . A long and painful screech from our poor teacher followed him through. She was frozen at her desk unable to move and see the rest of the story. Shock of what has just happened took over her body and mind. Who knows what went through her head over next few seconds.

What brought her back were our giggles coming from windows. She joined us to see what she has never noticed or has simply forgot was there. That same mountain of coal was just beneath the visible part of the widow. Our disturbance prone friend was just a practical joker never an idiot. His well-acted jump was not more than 50 centimeters deep. As he was turning the corner running home she cursed back at him from that same window like an old witch. I never heard such a foul language coming from our geography teacher.

Class ended soon after that and we all continued with our day, talking and laughing at what has just happened. The next day our friend was back at school and we all promptly congratulated him on his daring comedy act. The coal was now being loaded into belie of our primary and as far as I know there was no disciplinary action taken against anyone. The best thing for all was to say nothing and then nothing will be of what has happened.

ALMA TERZIĆ

Even though I was very young at the time, I remember spending most of my time with my mom and sister (my dad was in the army) in the shelter with rest of the neighborhood since it was impossible to leave the house due to daily bombings and sniper fire. Then, of course us kids had to create something to keep us occupied.

I remember playing and "acting" in the shelter under candle light and charging our parents entrance. :) To participate in the show audience had to bring something. Usually, it was clothes that we could use for our next show or some candy from the humanitarian aid that we occasionally received if ever. I remember having theme nights and our parents as audience. Usually the theme for the "shows" we created were "contacting" the spirits, and I remember the most usual questions we were asked from the audience were; "Please ask the spirit when is Dad coming home or when is the electricity coming back or how about food from the humanitarian aid etc."

When interrupted by the heavy bomb shelling during our performances I remember singing all together very loudly "Soldier of Fortune" (at that time very popular song) and trying to keep the audience but we usually failed. :)

JELENA JOVANOVA

I was born in Banja Luka, in Bosnia and Herzegovina on the 21st of October in 1984. My mother had me early, at the end of the 8th month of her pregnancy. Restless is how I have been ever since then.

My mother is Serbian. She was a piano performer and choir singer at the time; she was also a graduate in phonetics. My father is Macedonian, a textile engineer. My older brother, who is now a journalist, was born in Croatia. Just when you realize, you can meet all of Yugoslavia at my house, in my family.

I was just a child when the war started. We traveled back and forth from Bosnia to Macedonia all the time. I remember once, I was playing at my grandparents' backyard in Macedonia, when my brother arrived; it was just a couple of days before the borders to Bosnia were closed... I couldn't understand what the grown-ups were saying, but I did hear my parents saying that we might never be able to go back home.

I was not aware of the situation, so I kept playing and waiting for the fall, when I would go to visit my other grandparents, back in Bosnia. The fall came, but it was different this time. We heard the situation was really bad back home, and we didn't know what was happening with the rest of our family in Sanski Most, in Sarajevo.... We never heard again from my grandmother, who lived there.

When I look back, I only remember flashes and images; seeing my mother break after receiving the news about my grandmother's death, crying and repeating only one question: "Why did this happen?" The most vivid memories I have from the war are those seen though my mother's eyes, for every loss of a family member...

We were not in the direct epicenter of pain and suffering in Bosnia, but the trails of grief still lag behind all of us. As I grew up, things got much clearer for me. Whenever I saw my mother drowned in thoughts, with that inevitable feeling of guilt that she was not along with her family in those hard times back in Banja Luka, I tried to make her laugh, to bring a little peace in her eyes by sharing with her my restless dream of becoming a great artist one day, and make her very proud.

After the nightmare of the war in Bosnia ended, it was difficult to recover all of the family ties. Even until today, not all of my family members have managed to get back in touch, to understand if they survived the war, and if they managed to escape the horror at the time. My grandfather, as everyone else, struggled to move forward with his life...

Everyone had to continue their life stories, and I directed mine being inspired by a film projection I saw one night, when I was still a child; and I wished to become what I am today.

I graduated at the Faculty of Drama Arts in Skopje in 2007, and I have been working at the Macedonian National Theater ever since. I have been part of 20 theater plays, four feature films, one short film and four successful seasons as the hostess of a TV show for automobiles and lifestyle.

At the moment, I am also dedicated to my Master studies in Culture and Globalization, a new theater play Family Stories by Biljana Srbljanovic, and I continue to believe that the events of year 1992 will never be repeated. I keep dreaming with my eyes opened, and I want to remain courageous and strong for every new challenge in front of me, and I know and I believe that everything will be all right.... "Believe" is the word Jelena Jovanova thinks of first, every time she awakes in the morning, and every time she goes to sleep at night.

~~~

"....the most loud silence..every day, every night.

she is there, I hear her scream, I hear her ache and I try to touch her, I want to hold her but I can't.

I can hardly wait for that.

They took her away. We took everything away from us, we aloud that.

And we know we are all the same...we smell the same,we all love and we all hate.. But someone is

more thirsty for profit and someone for true love.They increase there profit,we increase our loss,the dearest one...

I feel sorry for there insatiability, the question is-are they're feeling sorry for our lost?"

ERMIN BRAVO

I was born on May 12th, 1979 in Sarajevo, Bosnia and Herzegovina. I think I can say I had a normal and happy childhood in post-Tito Yugoslavia. I was 13 years old when war in Bosnia started. My life became hectic by all means. I was becoming a teenager with agitating hormones forcing me into introversion. But extreme circumstances around me compelled me to confront the outside world and face the reality. I did not have time to think about pimples because I had to get water. Electricity, water, things I used to take for granted, became luxury.

My family and I were spending most of our time in a basement of a building we lived in because it was not safe to sleep in a flat. My older brother was a soldier in the Bosnian army, so he wasn't around much. We have never talked about the details of the battles he had been in, until I asked him for help while preparing for this film. Although I play a small role I wanted to somehow dedicate this character to him. That is why I was very happy Angelina liked the idea that I wear his uniform in the film. It felt special to work in his patched camouflage pants.

During four years of the siege, approximately 360 shells were fired on Sarajevo daily. I guess I was one of the lucky ones to greet the peace with no family members killed or wounded.

Although often cold, hungry and desperate, like most of Sarajevo's citizens, I never accepted a role of a victim. Being so close to death all the time I recall that period as living life to the fullest. I learned to appreciate power of human spirit, nobility, humor. That was the period I discovered theatre and art in general as a place of escapism, cognition, and catharsis. I will never forget the effect theatre performances during the war had on me. Actors played their roles as a necessity, evidence of resistance. Acting was not just mirroring life but becoming life itself. That is when I wished to become part of that family, that world.

War left a lot of scars, but it also determined my sense of justice, courage, freedom, my calling and career, the way I consume and do art. I don't like to recall on it and I think it is going to take me some time to understand it and put it in a right place.

BORIS LER

Dear War,

I was barely six years old and scarcely remember the day of Your birth. The only thing I remember that day is that I was happy because my dad bought me Ninja Turtles cards I was collecting at that time. No, sorry... other thing I remember also... my mother's tears and dad's fear because You were born.

I don't belive that those tears and that fear were an actual product of happiness.

Nobody knew for what reason You were born, but one thing we all do know is what were the consequences of Your birth. Mothers were crying, children were killed, women raped, men died of their first neighbors' bullets they once played cards and chess with, drank beer and laughed the jokes... my generation and I grew up hiding... In Your time a lot of new children were born who still carry that burden of Yours, a lot of innocent people were killed even though they didn't want to have anything to do with Your life and atrocities, a lot of people were forcefully taken, imprisoned to be killed for Your life... people ate žaru, snails, lentils, out of date Ikar cans, cookies from the Vietnamese war period, rise, peanut butter and everything that was considered by lunch packages... there was no water, people were dying in a race for a drop of survival... electricity and gas were luxury dreams... You built concentration camps where You played with lives, just like newborns do... ribs protruded human skin made You laugh... people prayed to someone up there to save them from that horror, they whipped, they cried, moaned, were terrified and left all alone in this world, losing their sense, an essence of the existence, while You... You continued to grow, knitting a barbed wire, making Your parents proud.

We all missed... I missed a lot of things because of You, even though I was a child and understood everything like some game, serious game, but still a game, yet I felt very threatened... I felt that fear... not for life, since being only six I couldn't possibly know anything about life, but there somewhere a fear existed... fear that penetrated your skin, bones, pores,... your everything. The fear in other people's eyes was, in fact, the best mirror of your horrid soul.

And now, You left me and my generation in fear, as well as all people that once survived You and still do. When torpedo explodes for the New Year's Eve, I think: "...there, it started again.", chills go up my spine. I simply can't get rid of the thought: "There is going to be war again", which nailes me and everyone like me to the place with no prosperity.

You grew up fast, and started to spread Your seeds where ever You could. You demanded blood, no matter whose, as long as You could laugh and enjoy by Your fireplace, in the coziest chair that suits only the worst evil, having a portion of a child's brain, freshly squeezed from the Markale market, where one of the massacres occurred. While having Your precious wine You observed and simply didn't give a shit!

People are stronger, the will is stronger and we are no longer going to be slaves of yours... we will not forget You, but won't serve You either.

Now dear War, I kindly ask You to GET THE FUCK OUT OF OUR LIVES!

Boris

FEDJA STUKAN

Fedja Stukan was born 1974 in Sarajevo. He was a a professional billiard player in Montenegro from 1990 to 1992, when he joined the special units of the Bosnian army. As an atheist he realized that he didn't want to give and take life in a religious war, and after two years in heavy combat, he left the army by faking a mental disorder. He stayed in a mental health hospital for a year. It was during this period that Stukan decided to become an actor, and to study stage arts. In the last year of war, he escaped to germany, playing and singing in the bars, working on construction sites, and eventually living as a homeless drug addict. Stukan eventually returned to Sarajevo to continue his studies. He quit drugs and became a skydiver and paragliding pilot. During this time, he opeed a small firm for panoramic flights above Sarajevo. Stukan now counts film producer as one of his many talents. 15 month ago, he become a father of a beautiful daughter, Aya.

NIKOLA DJURIĆKO

As a child I was amazed by stories of great heroes who killed man enemies and died with dignity in battle . One day it was my turn to go to war. I realized there is nothing heroic in killing other human beings, and there is no dignity in dying on the battlefield.

Let the sunshine in.

Love,

Nikola

BRANKO DJURIĆ

Born in Sarajevo. Grew up and finished Actor's Academy there. Father was Serb, mother a Muslim. Proud of their love more than ever. He left Sarajevo while under siege during the war. All his books, photos, memories .... all his "shortcuts" to the past burned with his flat during the bombing. His grandfather asked him before he died, "Who are we now?"Lives in Ljubljana, Slovenia since '93. Tries not divide people into "us and them"–would rather see it like "Beatles and Stones".

JASNA ORNELA BERY

My name is Ornela Bery. I am from Bosnia and Herzegovina, the city of Sarajevo. Until recently, I used to work between Sarajevo and Zagreb. I live in Sarajevo and I work in the "Chamber Theater 55". I've played hundred roles (on film, in theater, television, radio). For my work I have won several prices, acknowledges and diplomas.

I was born in a middle class family with my three sisters. I remember how every Sunday morning we used to sit down with our mother, listening to some radio drama. Mother used to take us afterwards to the theater performance for children, or to the cinema. This is how my love for arts was born. As a little girl I used to play ballet and that helped me a lot later, when I worked in some cabarets and musicals.

I was five when I first came across acting. My older sister (who is also an actress) organized a puppet show in an abandoned roost. Since I was very elastic, she invited me to do some acrobatic numbers in her play. Even today, as a joke, I call myself "actress from the roost".

I am also a mother. My son's name is Vuk and he also is an actor.

I am vegetarian. I inherited a love for animals and love for arts from my parents. I am pacifist. I stand strongly for human rights and against wars and arming. I divide people as good and bad ones and I respect differences. My family is multinational composed from Serbs, Croats, Muslims, Hungarians and Swedish people. In my opinion, neither parents, nor the place of birth must necessarily define or determine someone.

A war is the worst thing that can happen to some people. The war separated my family on several sides. One part of the family left for Sweden as refugees and they are spread in several towns in Sweden. I managed to get out of the city, taking the last convoy (after we crossed the bridge, it was destroyed). My son was with me, forced to grow up over night, as were all the war children anyway. Finally we arrived to Zagreb and stayed there for a while. Another part of my family stayed in Sarajevo the whole time. I used to work as journalist, so I managed, through Unprofor, to go in and out of Sarajevo.

The war was, for all of us, very difficult and painful experience that left consequences to everyone. We must not ever forget some things, but we need to learn how to forget so that we can go on with our lives, in peace.

With love,

Jasna Ornela Bery

THE FILMMAKERS
ANGELINA JOLIE - DIRECTOR, WRITER, PRODUCER
Academy Award® and three-time Golden Globe winner ANGELINA JOLIE continues to be one of Hollywood's most talented leading actresses. Jolie showcases her talents behind the camera and makes her writing and directorial debut with In the Land of Blood and Honey.

Most recently, Jolie starred with Johnny Depp in The Tourist. Prior to that, Jolie starred in Clint Eastwood's acclaimed film Changeling, for which she received an Academy Award® nomination for Best Actress, as well as nominations from the Golden Globes, Screen Actors Guild, British Academy of Film and Television Arts, Broadcast Film Critics, London Film Critics and Chicago Film Critics.

Jolie also starred in the 2010 box-office hit Salt, the action-thriller directed by Phillip Noyce and Michael Winterbottom's critically acclaimed A Mighty Heart, the dramatic true story of Mariane and Daniel Pearl. Jolie's performance in A Mighty Heart earned her nominations from the Golden Globes, Screen Actors Guild, Broadcast Film Critics and Film Independent's Spirit Awards.

Jolie's previous films include The Good Shepherd, directed by Robert DeNiro and co-starring Matt Damon; Mr. & Mrs. Smith, co-starring Brad Pitt and the 2001 box-office smash Lara Croft: Tomb Raider.

Jolie's portrayal of a mental patient in Girl, Interrupted garnered her an Academy Award®, her third Golden Globe Award, a Broadcast Film Critics Association Award, ShoWest's Supporting Actress of the Year Award and a Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role. The HBO film Gia earned Jolie critical praise as well as a Golden Globe Award, a Screen Actors Guild Award and an Emmy nomination for her portrayal of supermodel Gia Carangi, who died of AIDS.

Jolie has also received wide recognition for her humanitarian work. For the past 10 years, she has served as Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR). In this capacity, Jolie has undertaken over 40 trips to countries all over the world to bear witness to and actively support solutions for refugees, vulnerable children and international law efforts. She was the first recipient of the Citizen of the World Award from the United Nations Correspondents Association, as well as the Global Humanitarian Action Award in 2005. In February 2007, Jolie was tapped by the bipartisan think-tank Council on Foreign Relations for a special five-year term designed to nurture the next generation of foreign-policy makers.

More recently, Jolie has pursued political solutions and quiet diplomacy to accomplish protection, justice and rule of law objectives. In addition to helping push through Congress the Unaccompanied Alien Child Protection Act, Jolie founded the National Center for Refugee and Immigrant Children, now Kids In Need of Defense, an organization that provides free legal aid to asylum-seeking children. Through the Jolie-Pitt Foundation, she has developed and implemented model interventions to protect the most vulnerable populations, in coordination with governments, non-governmental organizations and other institutions. In January 2011, Jolie launched the Haiti Legal Fellows program which provides critical legal support to the government of Haiti around child protection rights.
GRAHAM KING - PRODUCER
GRAHAM KING won a Best Picture Oscar® as a producer on the ensemble crime drama The Departed, directed by Martin Scorsese. King's projects have garnered a total of 38 Academy Award® nominations and earned over $2 billion in worldwide box office.

The Departed marked King's third collaboration with Scorsese. He previously produced the widely praised Howard Hughes biopic The Aviator, for which he earned an Academy Award® nomination and won a BAFTA Award for Best Picture. He was also honored by the Producers Guild of America with a Golden Laurel Award for Producer of the Year. King was co-executive producer on Scorsese's Oscar®-nominated epic drama Gangs of New York.

In May 2007, King launched GK Films with business partner Tim Headington. The company produced the 3D adventure film Hugo directed by Martin Scorsese and released through Paramount Pictures last month.

Most recently, King produced the highly anticipated Tim Burton-directed Dark Shadows starring Johnny Depp. This film is set to be released by Warner Bros. Pictures on May 11th 2012. King also produced The Rum Diary starring Johnny Depp, the animated tale Rango directed by Gore Verbinski, The Town written and directed by Ben Affleck and The Tourist, directed by Florian Henckel von Donnersmarck and starring Angelina Jolie and Johnny Depp.

GK Films has announced several projects in development including the screen adaptation of the hit musical Jersey Boys; the Untitled Freddie Mercury Story starring Sacha Baron Cohen; a reboot of the successful action franchise Tomb Raider and The Battle of Britain with a script by Robert Towne. Previous GK Films releases include Edge of Darkness, and the three-time Academy Award®-nominated The Young Victoria. King will also serve as executive producer on the upcoming films Argo and World War Z.

A native of the United Kingdom, King moved to the United States in 1982 and was awarded an OBE (Officer of the Order of the British Empire) in 2009.
TIM HEADINGTON - PRODUCER
TIM HEADINGTON, together with longtime friend and colleague Graham King, formed the Los Angeles-based production company GK Films in 2007. Under the GK banner, he and King produced the Martin Scorsese 3-D adventure film Hugo released in November. Their previous productions include The Rum Diary starring Johnny Depp, The Tourist starring Angelina Jolie and Johnny Depp, Edge of Darkness starring Mel Gibson and the three-time Academy Award®-nominated romantic drama The Young Victoria. Outside of GK Films, Headington was an executive producer on Gore Verbinski's animated adventure Rango. He will also serve as an executive producer on the upcoming films Dark Shadows, Argo and World War Z.

GK Films recently announced several new projects that Headington will produce including the Untitled Freddie Mercury Story starring Sacha Baron Cohen, the hit musical Jersey Boys, a reboot of the successful action franchise Tomb Raider and The Battle of Britain written by Robert Towne.

Headington first met King in 2004 when he invested in King's former production company, Initial Entertainment Group, as it was financing and producing the award-winning film The Aviator, directed by Martin Scorsese and starring Leonardo DiCaprio.
TIM MOORE - PRODUCER
TIM MOORE has overseen the physical production of all of Clint Eastwood's films since 2002, most recently serving as executive producer on J. Edgar, starring Leonardo DiCaprio in the title role.

In 2009, Moore executive produced the critically acclaimed drama Invictus, starring Matt Damon, alongside Morgan Freeman, which received widespread acclaim from critics associations and several Oscar® and Golden Globe nominations, including a Golden Globe nod for Best Picture. In addition, Moore was also an executive producer on Hereafter, Gran Torino and Changeling, and served as co-producer on the dual World War II epics Flags of Our Fathers and the award-winning Letters from Iwo Jima, which was Oscar®-nominated for Best Picture. His work with Eastwood also includes the dramas Mystic River, which earned six Oscar® nominations, including one for Best Picture, and Million Dollar Baby, which won four Academy Awards®, including Best Picture. He was also a co-producer on Alison Eastwood's directorial debut, Rails & Ties.

Moore has also worked several times with director Rowdy Herrington over the last two decades, most recently producing the ESPY-nominated biopic Bobby Jones: Stroke of Genius. Their earlier collaborations include the films A Murder of Crows, Road House and Jack's Back.

Moore's other producing credits include Steve Buscemi's Animal Factory, starring Willem Dafoe, and Arne Glimcher's The White River Kid. For television, Moore was the production manager on the telefilm Semper Fi and produced the telefilm Stolen from the Heart.

Before starting his film career, Moore attended UCLA, where he met fraternity brother John Shepherd. The two have gone on to produce four independent features together: Eye of the Storm, The Ride, The Climb and Bobby Jones: Stroke of Genius.

Moore and his wife, Bobbe, are actively engaged in a number of animal rescue organizations.
DEAN SEMLER - DIRECTOR OF PHOTOGRAPHY
DEAN SEMLER won an Academy Award® for his work on Kevin Costner's epic of the American West, Dances with Wolves. One of the world's most accomplished cinematographers, Semler has photographed a wide range of productions both in his native Australia, the United States and around the world.

Semler began his career at a local television station photographing news stories. This led to a nine-year-long stint at Film Australia, where he made documentaries and anthropological films for educational and research purposes. His first credit as a feature cinematographer was Let the Balloon Go in 1976.

In Australia, Semler served as cinematographer for Hoodwink, the now classic futuristic thriller The Road Warrior (which earned him an AFI nomination) and its follow-up Mad Max Beyond Thunderdome, Razorback (for which he won an Australian Film Institute Award), The Coca-Cola Kid, The Lighthorsemen and Dead Calm, for which he received an Australian Film Critic's nomination. His U.S. credits include Young Guns and Young Guns II, Cocktail, Farewell to the King, City Slickers, The Power of One, The Three Musketeers, The Cowboy Way, Waterworld, The Bone Collector, Nutty Professor II: The Klumps, Heartbreakers, Dragonfly, We Were Soldiers, XXX, Bruce Almighty, and The Alamo.

Semler also filmed Roland Emmerich's end-of-the-world epic 2012, Appaloosa starring Ed Harris, Renée Zellweger, and Viggo Mortensen, and Get Smart starring Steve Carrell and Anne Hathaway, and prior to that the comedy I Now Pronounce You Chuck and Larry starring Adam Sandler, Kevin James and Jessica Biel. Other recent projects include Mel Gibson's Apocalypto, for which he received an ASC nomination, the romantic comedy Just My Luck starring Lindsay Lohan, the box-office hits Click starring Adam Sandler, Kate Beckinsale and Christopher Walken and The Longest Yard starring Adam Sandler, Chris Rock and Burt Reynolds. He also worked with director Rob Cohen on the action adventure, sci-fi thriller Stealth, director Shawn Levy on Date Night, and director Randall Wallace on Secretariat. Working on In the Land of Blood and Honey gave Semler the opportunity to work with Angelina Jolie as a first time director, after working with her as an actress on The Bone Collector.

For television, Semler photographed Return to Eden in Australia, and in the U.S., Passion Flower. He also served as cinematographer and second unit director of the television miniseries Lonesome Dove and Son of the Morning Star.

Semler was the recipient of a Member in the General Division of the Order of Australia, appointed by Her Majesty Queen Elizabeth II for services to the arts, an honor bestowed upon him by his fellow countrymen.
JON HUTMAN - PRODUCTION DESIGNER
JON HUTMAN has worked most recently as the production designer on Rock of Ages, a heavy metal musical directed by Adam Shankman. Before designing In the Land of Blood and Honey, Hutman collaborated with Academy Award®-winning director Florian Henckel von Donnersmarck on The Tourist.

Hutman has collaborated four times with writer/director Nancy Meyers on the films What Women Want, Something's Gotta Give, The Holiday, and It's Complicated. On television, he was honored with both an Emmy Award and an Art Directors Guild Award for his design on the pilot episode of Aaron Sorkin's The West Wing. Hutman also produced and directed the series Gideon's Crossing.

He served as production designer and co-producer of Lawrence Kasdan's films Dreamcatcher and Mumford; production designer on Kasdan's French Kiss; and art director on Kasdan's I Love You to Death.

Hutman served as production designer for Robert Redford on The Horse Whisperer, Quiz Show and A River Runs Through It, and on Sydney Pollack's The Interpreter. Hutman's other feature credits include Coyote Ugly; Adrian Lyne's Lolita; Michael Apted's Nell; Steve Kloves' Flesh and Bone; Arthur Hiller's Taking Care of Business; Walter Hill's Trespass; Michael Lehmann's Meet the Applegates; and Jodie Foster's directorial debut, Little Man Tate. He earned his first credit as a feature production designer on Lehmann's cult favorite Heathers.

Hutman earned a degree in architecture from Yale University where he also studied scenic design, painting and lighting at the university's School of Drama. He returned to his native Los Angeles and entered the film industry as an assistant in the art department on The Hotel New Hampshire, and then as a set dresser on To Live and Die in L.A. Hutman earned art director credits on Wanted: Dead or Alive, Surrender and Worth Winning, before moving up to design films on his own.
PATRICIA ROMMEL - EDITOR
PATRICIA ROMMEL previously collaborated with Florian Henckel von Donnersmarck as editor of his Academy Award®-winning filmThe Lives of Others, for which she was nominated for the German Movie Award and received the German Critic Award. She received her second nomination for the German Movie Award for her work on A Year Ago in Winter by Caroline Link.

Rommel began her career in the film industry in 1977, completing several short films, advertising films, and dubbing productions. Her breakthrough as an editor came on Link's Beyond Silence. She further collaborated with Link on the movies Annaluise and Anton and Nowhere in Africa. The latter was awarded an Oscar® for Best Foreign Language Film in 2002.

Rommel has worked as a freelance editor since the early 1980s and also teaches at several German film schools. She has edited over 40 films for cinema and television–in addition to 15 documentaries–and she has received numerous nominations and awards for her work. Wolfgang Becker's Life Is All You Get saw her nominated for the German Camera Award (Deutscher Kamerapreis) and she subsequently won the coveted prize for her work on the film Off Beat by Hendrik Hölzemann.

Rommel's other works include Nina Grosse's Fire Rider, Franziska Buch's Emil and the Detectives, Romuald Karmakar's Nightsongs, Christian Ditter's comedy French for Beginners, and Michael Hoffman's The Last Station. She has worked with well-known TV directors such as Dominik Graf on Dr. Knock, Dieter Wedel on My Old Friend Fritz and Maria von Heland on Suddenly Gina. She resides in Berlin and Los Angeles.
GABRIELE BINDER - COSTUME DESIGNER
GABRIELE BINDER was born in the German city of Hannover and studied Art History and Design in Berlin. She has worked as a costume designer since 1993 and has been involved in theater, opera, dance, and fashion projects. She is married to Croatian artist Boris Ivandic.

Binder has collaborated on over twenty film and television projects since launching her career. Most recently, she worked on The Pursuit Of Unhappiness by director Sherry Hormann, with whom she also worked on Desertflower, a biopic about supermodel and U.N. ambassador Waris Dirie.

Binder worked with director Jerome Salle on The Burma Conspiracy, the second film in the Largo Winch series. She also designed the costumes for director Florian Hanckel von Donnersmarck's Oscar®-winning film The Lives of Others.
GABRIEL YARED - COMPOSER
Oscar®-winning composer GABRIEL YARED is one of the most well-respected and renowned composers in film. Most notably, Yared won an Academy Award® for his score to Anthony Minghella's The English Patient, which also won him a Golden Globe and Grammy Award. Born in Lebanon, Yared was originally known for his work in French cinema (his first film was Jean-Luc Godard's Sauve Qui Peut la Vie), and then later began to compose for American films.

He was also nominated for an Academy Award® and Golden Globe for both The Talented Mr. Ripley and Cold Mountain. Additionally, Yared received a Grammy Award nomination for his score to City of Angels, directed by Brad Silberling. He was also nominated for an Emmy Award for scoring the pilot to the critically acclaimed The No. 1 Ladies' Detective Agency.

Yared's other films include Betty Blue, The Lover, Camille Claudel, Coco Chanel & Igor Stravinsky, Adam Resurrected, 1408, Message in a Bottle, and Amelia.
HISTORY
THE WAR IN BOSNIA
For almost five decades after World War II, the Republic of Bosnia-Herzegovina formed part of Yugoslavia, alongside the Republics of Serbia, Croatia, Montenegro, Slovenia, Macedonia, and the Provinces of Kosovo and Vojvodina. During this time, a rich web of ethnic and religious identities made Bosnia's population of 4 million one of the most diverse in Europe. Bosniaks, of Muslim heritage, formed the largest part of the population, followed by Serbs, Croats, and other groups, and marriages between these groups were common.

With the death in 1980 of Marshall Josip Broz Tito, Yugoslavia's long-serving President, previously suppressed tensions between the republics began to escalate. In the decade that followed, Slobodan Miloševic consolidated Serbian control over the government and the army in Yugoslavia, further alienating the other republics. Following the collapse of Communist regimes elsewhere in Eastern Europe, Croatia, Slovenia, Macedonia, and Bosnia-Herzegovina declared their independence from Yugoslavia.

The Bosnian War erupted in 1992 when Bosnian Serbs, backed by Serbia, occupied towns and cities in Eastern Bosnia-Herzegovina and laid siege to Sarajevo, the capital, in an attempt to carve out a Bosnian Serb republic. Meanwhile, Bosnian Croats, backed by Croatia, also sought to carve out their own republic in Western Bosnia-Herzegovina, although they would later join with Bosnian forces against the Serbs. A United Nations Protection Force (UNPROFOR) failed to halt the descent into violence.

The war would become the most devastating conflict in Europe since World War II. Between 1992 and 1995, fighting claimed the lives of approximately 100,000 people and drove half of the population from their homes. In a pattern of "ethnic cleansing," armed forces attacked and expelled civilians in areas under their control to create ethnically pure enclaves. Men and women were often separated as a prelude to further abuse. In a single incident, the Srebrenica genocide, Serbian forces massacred more than 7,000 Bosniak men and boys. Moreover, between 20,000 and 50,000 women were raped, many in captivity, throughout the war. In response, the International Criminal Tribunal for the former Yugoslavia would eventually indict 161 persons for war crimes, crimes against humanity, and genocide in the Bosnian war and prosecute rape - for the first time - as a crime against humanity.

Decisive military intervention by NATO and intense diplomatic pressure eventually led to a cease fire and the signing of the Dayton Peace Accords in 1995. Since then, an uneasy peace has prevailed in Bosnia-Herzegovina, but divisions created by the conflict remain, and the struggle for reconciliation continues.
TIMELINE OF EVENTS
February 1992
A majority of Bosnian Muslims and Bosnian Croats vote for independence from Yugoslavia in an election boycotted by Bosnian Serbs.
April - May 1992
Bosnian Serb forces, backed by Serbia and the Yugoslav Army, seize territory in Eastern and Northern Bosnia and encircle the city of Sarajevo, marking the beginning of the siege of the city. Attacks on civilians and "ethnic cleansing" begin. Bosnian Serb leader Radovan Karadžic and Bosnian Croat leader Mate Boban, backed by Serbian President Slobodan Milošević and Croatian President Franjo Tudman, agree to partition Bosnia and Herzegovina into the Republika Srpska, the Croatian Republic of Herzeg-Bosnia, and a small Bosnian Muslim buffer state.
June 1992
Bosnian Croat forces, backed by Croatia, occupy territory in Southern and Central Bosnia. Meanwhile, a United Nations Protection Force (UNPROFOR) deploys in Bosnia to open the Sarajevo airport for the delivery of humanitarian assistance. UNPROFOR's mandate in Bosnia would gradually expand over the course of the war.
July - August 1992
Media reports surface about Bosnian Serb detention camps where Muslim men and women were being held.
April - June 1993
In response to attacks against civilians, the UN declares that safe areas will be established under UN protection in Sarajevo, Srebrenica, Goražde, and other towns. The UN also establishes the International Criminal Tribunal for the former Yugoslavia (ICTY) to try those responsible for war crimes and crimes against humanity in the territory of the former Yugoslavia. War breaks out between Bosnian Croat forces and Bosnian Muslims forces.
February 1994
A mortar shell hits the main marketplace in Sarajevo, injuring or killing more than 100. Bosnian Croats and Bosnian Muslims end their war and agree to forge an alliance against Bosnian Serb forces.
April 1994
NATO launches its first air strikes in Bosnia, requested by UN commanders.
July 1995
More than 7,000 Bosnian Muslim men and boys are massacred at Srebrenica.
November - December 1995
After months of sustained diplomatic efforts, the Dayton Accords bring an end to the hostilities in Bosnia.
February 1996
The siege of Sarajevo is lifted.
May - July 2011
Ratko Mladic and Goran Hadžic, the last of the 161 persons indicted by the ICTY, are captured. Although the majority of those indicted are Serbs or Bosnian Serbs, a number of Croatians, Bosnian Croats, and Bosnian Muslims have also faced the tribunal for serious violations of international law.
VOICES AND PERSPECTIVES ON WAR
VANESA GLODJO, actress in the film and Bosnian War survivor, talks about some of her experiences during the war, and what filming "In the Land of Blood and Honey" meant to her. Watch Video

LUIS MORENO OCAMPO, Prosecutor, International Criminal Court talks about the importance of justice and law in the context of the Bosnian War. Watch Video

ZAINAB SALBI, Founder, Women for Women talks about the importance of healing and dialogue after the Bosnian War. Watch Video

MADELEINE ALBRIGHT, Former Secretary of State, talks about the responsibility by the international community to protect each other in the context of the Bosnian War. Watch Video
LEARN MORE
The International Criminal Tribunal for the former Yugoslavia (ICTY) was established by the United Nations in 1993 to try persons accused of serious violations of international law during the wars in the Balkans. In addition to establishing important precedents on genocide, war crimes and crimes against humanity, the Tribunal has given victims an opportunity to tell their stories to the international community. To learn more about the Tribunal and its cases, visit here.
More than fifteen years after the war in Bosnia, the international community continues to struggle with the appropriate interventions to stop genocide and mass atrocities. The Council on Foreign Relations (CFR), an independent, nonpartisan membership organization, think tank, and publisher, has added to the discussion of this issue with the publication of a report by Matthew Waxman, available as a free pdf here.

Women for Women International: Women for Women International was founded in response to the war in Bosnia with the goal of helping women survivors of rape/concentration camps, displacements, and all other challenged caused by war. Through the organization, women from all over the world support woman survivors of war through an educational program that includes rights awareness and job skills training that provides them with the tools and resources to earn an income and rebuild their lives. To learn more visit: www.womenforwomen.org.

SOS Children's Villages: For 60 years, SOS Children's Villages has been dedicated to providing family-based, long-term care to children who can no longer grow up with their biological families. In 1996, SOS opened permanent facilities in Bosnia to help children, youth and adults deal with the trauma of war and loss. Since then, SOS Bosnia has been helping to heal and rebuild the social fabric that was torn apart by conflict. To learn more visit: http://www.sos-childrensvillages.org.